Bibliography for Music and Sound for New Media BETA

@book{Brown, Royal S._1994, address={Berkeley,CA}, title={Overtones and undertones: reading film music}, publisher={University of California Press}, author={Brown, Royal S.}, year={1994} }

@book{Buhler_Flinn_Neumeyer_Buhler_2000, address={Hanover, N.H.}, title={Music and cinema}, publisher={Wesleyan University Press}, author={Buhler, James and Flinn, Caryl and Neumeyer, David and Buhler, James}, year={2000} }

@book{Chion_Gorbman_1999, address={New York}, title={The voice in cinema}, publisher={Columbia University Press}, author={Chion, Michel and Gorbman, Claudia}, year={1999} }

@book{Chion_Gorbman_Murch, address={New York}, title={Audio-vision: sound on screen}, publisher={Columbia University Press}, author={Chion, Michel and Gorbman, Claudia and Murch, Walter} }

@book{Cook_2000, address={Oxford}, title={Analysing musical multimedia}, publisher={Oxford University Press}, author={Cook, Nicholas}, year={2000} }

@book{Cooke, Mervyn_2008, address={Cambridge}, title={A history of film music}, publisher={Cambridge University Press}, author={Cooke, Mervyn}, year={2008} }

@book{Davis, Richard_1999, address={Boston, MA}, title={Complete guide to film scoring: the art and business of writing music for movies and TV}, publisher={Berklee Press}, author={Davis, Richard}, year={1999} }

@book{Davison_2004, address={Aldershot}, title={Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s}, publisher={Ashgate}, author={Davison, Annette}, year={2004} }

@book{Donnelly_Donnelly_2001, address={Edinburgh}, title={Film music: critical approaches}, publisher={Edinburgh University Press}, author={Donnelly, K. J. and Donnelly, K. J.}, year={2001} }

@book{Gorbman, Claudia_British Film Institute_1987, address={London}, title={Unheard melodies: narrative film music}, publisher={BFI}, author={Gorbman, Claudia and British Film Institute}, year={1987} }

@book{Holman, Tomlinson_2010, address={Amsterdam}, edition={3rd ed}, title={Sound for film and television}, url={https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=870442}, publisher={Focal}, author={Holman, Tomlinson}, year={2010} }

@book{Kalinak_1992, address={London}, title={Settling the score: music and the classical Hollywood film}, publisher={University of Wisconsin Press}, author={Kalinak, Kathryn Marie}, year={1992} }

@book{Kalinak, Kathryn Marie_2010, address={New York}, title={Film music: a very short introduction}, volume={Very short introductions}, url={https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=497617}, publisher={Oxford University Press}, author={Kalinak, Kathryn Marie}, year={2010} }

@book{Karlin_Wright_2004, address={New York}, edition={2nd ed}, title={On the track: a guide to contemporary film scoring}, publisher={Routledge}, author={Karlin, Fred and Wright, Rayburn}, year={2004} }

@book{Kassabian_2001, address={New York}, title={Hearing film: tracking identifications in contemporary Hollywood film music}, publisher={Routledge}, author={Kassabian, Anahid}, year={2001} }

@book{Wyatt_Amyes_Amyes_2005, address={Amsterdam}, edition={3rd ed}, title={Audio post production for television and film: an introduction to technology and techniques}, publisher={Focal}, author={Wyatt, Hilary and Amyes, Tim and Amyes, Tim}, year={2005} }