Brown, Royal S., Overtones and Undertones: Reading Film Music (University of California Press 1994)
Buhler J and others, Music and Cinema (Wesleyan University Press 2000)
Chion M and Gorbman C, The Voice in Cinema (Columbia University Press 1999)
Chion M, Gorbman C and Murch W, Audio-Vision: Sound on Screen (Columbia University Press)
Cook N, Analysing Musical Multimedia (Oxford University Press 2000)
Cooke, Mervyn, A History of Film Music (Cambridge University Press 2008)
Davis, Richard, Complete Guide to Film Scoring: The Art and Business of Writing Music for Movies and TV (Berklee Press 1999)
Davison A, Hollywood Theory, Non-Hollywood Practice: Cinema Soundtracks in the 1980s and 1990s (Ashgate 2004)
Donnelly KJ and Donnelly KJ, Film Music: Critical Approaches (Edinburgh University Press 2001)
Gorbman, Claudia and British Film Institute, Unheard Melodies: Narrative Film Music (BFI 1987)
Holman, Tomlinson, Sound for Film and Television (3rd ed, Focal 2010) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=870442>
Kalinak, Kathryn Marie, Film Music: A Very Short Introduction, vol Very short introductions (Oxford University Press 2010) <https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=497617>
Kalinak KM, Settling the Score: Music and the Classical Hollywood Film (University of Wisconsin Press 1992)
Karlin F and Wright R, On the Track: A Guide to Contemporary Film Scoring (2nd ed, Routledge 2004)
Kassabian A, Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music (Routledge 2001)
Wyatt H, Amyes T and Amyes T, Audio Post Production for Television and Film: An Introduction to Technology and Techniques (3rd ed, Focal 2005)
