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Buhler J, Flinn C, Neumeyer D, et al. Music and cinema. Hanover, N.H.: : Wesleyan University Press 2000.
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Chion M, Gorbman C, Murch W. Audio-vision: sound on screen. New York: : Columbia University Press
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Chion M, Gorbman C. The voice in cinema. New York: : Columbia University Press 1999.
4
Cook N. Analysing musical multimedia. Oxford: : Oxford University Press 2000.
5
Cooke, Mervyn. A history of film music. Cambridge: : Cambridge University Press 2008.
6
Gorbman, Claudia, British Film Institute. Unheard melodies: narrative film music. London: : BFI 1987.
7
Holman, Tomlinson. Sound for film and television. 3rd ed. Amsterdam: : Focal 2010. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=870442
8
Kalinak, Kathryn Marie. Film music: a very short introduction. New York: : Oxford University Press 2010. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=497617
9
Kassabian A. Hearing film: tracking identifications in contemporary Hollywood film music. New York: : Routledge 2001.
10
Brown, Royal S. Overtones and undertones: reading film music. Berkeley,CA: : University of California Press 1994.
11
Davis, Richard. Complete guide to film scoring: the art and business of writing music for movies and TV. Boston, MA: : Berklee Press 1999.
12
Davison A. Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s. Aldershot: : Ashgate 2004.
13
Donnelly KJ, Donnelly KJ. Film music: critical approaches. Edinburgh: : Edinburgh University Press 2001.
14
Kalinak KM. Settling the score: music and the classical Hollywood film. London: : University of Wisconsin Press 1992.
15
Karlin F, Wright R. On the track: a guide to contemporary film scoring. 2nd ed. New York: : Routledge 2004.
16
Wyatt H, Amyes T, Amyes T. Audio post production for television and film: an introduction to technology and techniques. 3rd ed. Amsterdam: : Focal 2005.
