1.
Buhler, J., Flinn, C., Neumeyer, D. & Buhler, J. Music and cinema. (Wesleyan University Press, 2000).
2.
Chion, M., Gorbman, C. & Murch, W. Audio-vision: sound on screen. (Columbia University Press).
3.
Chion, M. & Gorbman, C. The voice in cinema. (Columbia University Press, 1999).
4.
Cook, N. Analysing musical multimedia. (Oxford University Press, 2000).
5.
Cooke, Mervyn. A history of film music. (Cambridge University Press, 2008).
6.
Gorbman, Claudia & British Film Institute. Unheard melodies: narrative film music. (BFI, 1987).
7.
Holman, Tomlinson. Sound for film and television. (Focal, 2010).
8.
Kalinak, Kathryn Marie. Film music: a very short introduction. vol. Very short introductions (Oxford University Press, 2010).
9.
Kassabian, A. Hearing film: tracking identifications in contemporary Hollywood film music. (Routledge, 2001).
10.
Brown, Royal S. Overtones and undertones: reading film music. (University of California Press, 1994).
11.
Davis, Richard. Complete guide to film scoring: the art and business of writing music for movies and TV. (Berklee Press, 1999).
12.
Davison, A. Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s. (Ashgate, 2004).
13.
Donnelly, K. J. & Donnelly, K. J. Film music: critical approaches. (Edinburgh University Press, 2001).
14.
Kalinak, K. M. Settling the score: music and the classical Hollywood film. (University of Wisconsin Press, 1992).
15.
Karlin, F. & Wright, R. On the track: a guide to contemporary film scoring. (Routledge, 2004).
16.
Wyatt, H., Amyes, T. & Amyes, T. Audio post production for television and film: an introduction to technology and techniques. (Focal, 2005).
