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Chion M, Gorbman C, Murch W. Audio-vision: sound on screen. New York: Columbia University Press;
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Chion M, Gorbman C. The voice in cinema. New York: Columbia University Press; 1999.
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Cook N. Analysing musical multimedia. Oxford: Oxford University Press; 2000.
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Cooke, Mervyn. A history of film music. Cambridge: Cambridge University Press; 2008.
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Gorbman, Claudia, British Film Institute. Unheard melodies: narrative film music. London: BFI; 1987.
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Holman, Tomlinson. Sound for film and television [Internet]. 3rd ed. Amsterdam: Focal; 2010. Available from: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=870442
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Kalinak, Kathryn Marie. Film music: a very short introduction [Internet]. New York: Oxford University Press; 2010. Available from: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=497617
9.
Kassabian A. Hearing film: tracking identifications in contemporary Hollywood film music. New York: Routledge; 2001.
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Brown, Royal S. Overtones and undertones: reading film music. Berkeley,CA: University of California Press; 1994.
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Davis, Richard. Complete guide to film scoring: the art and business of writing music for movies and TV. Boston, MA: Berklee Press; 1999.
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Davison A. Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s. Aldershot: Ashgate; 2004.
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Donnelly KJ, Donnelly KJ. Film music: critical approaches. Edinburgh: Edinburgh University Press; 2001.
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Kalinak KM. Settling the score: music and the classical Hollywood film. London: University of Wisconsin Press; 1992.
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Karlin F, Wright R. On the track: a guide to contemporary film scoring. 2nd ed. New York: Routledge; 2004.
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Wyatt H, Amyes T, Amyes T. Audio post production for television and film: an introduction to technology and techniques. 3rd ed. Amsterdam: Focal; 2005.
