Brown, Royal S. (1994). Overtones and undertones: reading film music. University of California Press.
Buhler, J., Flinn, C., Neumeyer, D., & Buhler, J. (2000). Music and cinema. Wesleyan University Press.
Chion, M., & Gorbman, C. (1999). The voice in cinema. Columbia University Press.
Chion, M., Gorbman, C., & Murch, W. (n.d.). Audio-vision: sound on screen. Columbia University Press.
Cook, N. (2000). Analysing musical multimedia. Oxford University Press.
Cooke, Mervyn. (2008). A history of film music. Cambridge University Press.
Davis, Richard. (1999). Complete guide to film scoring: the art and business of writing music for movies and TV. Berklee Press.
Davison, A. (2004). Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s. Ashgate.
Donnelly, K. J., & Donnelly, K. J. (2001). Film music: critical approaches. Edinburgh University Press.
Gorbman, Claudia & British Film Institute. (1987). Unheard melodies: narrative film music. BFI.
Holman, Tomlinson. (2010). Sound for film and television (3rd ed). Focal. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=870442
Kalinak, K. M. (1992). Settling the score: music and the classical Hollywood film. University of Wisconsin Press.
Kalinak, Kathryn Marie. (2010). Film music: a very short introduction: Vol. Very short introductions. Oxford University Press. https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=497617
Karlin, F., & Wright, R. (2004). On the track: a guide to contemporary film scoring (2nd ed). Routledge.
Kassabian, A. (2001). Hearing film: tracking identifications in contemporary Hollywood film music. Routledge.
Wyatt, H., Amyes, T., & Amyes, T. (2005). Audio post production for television and film: an introduction to technology and techniques (3rd ed). Focal.
