Brown, Royal S. (1994) Overtones and undertones: reading film music. Berkeley,CA: University of California Press.
Buhler, J. et al. (2000) Music and cinema. Hanover, N.H.: Wesleyan University Press.
Chion, M. and Gorbman, C. (1999) The voice in cinema. New York: Columbia University Press.
Chion, M., Gorbman, C. and Murch, W. (no date) Audio-vision: sound on screen. New York: Columbia University Press.
Cook, N. (2000) Analysing musical multimedia. Oxford: Oxford University Press.
Cooke, Mervyn (2008) A history of film music. Cambridge: Cambridge University Press.
Davis, Richard (1999) Complete guide to film scoring: the art and business of writing music for movies and TV. Boston, MA: Berklee Press.
Davison, A. (2004) Hollywood theory, non-Hollywood practice: cinema soundtracks in the 1980s and 1990s. Aldershot: Ashgate.
Donnelly, K.J. and Donnelly, K.J. (2001) Film music: critical approaches. Edinburgh: Edinburgh University Press.
Gorbman, Claudia and British Film Institute (1987) Unheard melodies: narrative film music. London: BFI.
Holman, Tomlinson (2010) Sound for film and television. 3rd ed. Amsterdam: Focal. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=870442.
Kalinak, Kathryn Marie (2010) Film music: a very short introduction. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/kentuk/detail.action?docID=497617.
Kalinak, K.M. (1992) Settling the score: music and the classical Hollywood film. London: University of Wisconsin Press.
Karlin, F. and Wright, R. (2004) On the track: a guide to contemporary film scoring. 2nd ed. New York: Routledge.
Kassabian, A. (2001) Hearing film: tracking identifications in contemporary Hollywood film music. New York: Routledge.
Wyatt, H., Amyes, T. and Amyes, T. (2005) Audio post production for television and film: an introduction to technology and techniques. 3rd ed. Amsterdam: Focal.
